Thursday, July 20, 2017

Best Shows From The 80s

Wonder Years

#s#The Original Run: 1988-93 Creators: Neal Marlens, Carol Black Stars: Fred Savage, Dan Lauria, Alley Mills, Olivia d’Abo, Jason Hervey, Danica McKellar, Josh Saviano Network: ABC The Question Years is a family present, and yes, a few of its episodes inch dangerously close to afterschool-special territory, but make no error: revisiting this late-’80s/early-’90s staple as a grownup is just as—if perhaps not more—enjoyable than watching it the first time-around. It’s unabashedly nostalgic, but it chronicles the ups and downs of Kevin Arnold’s, Winnie Cooper’s and Paul Pfeiffer’s adolescence against the backdrop of the vietnam-era and our nation’s changing social landscape using a maturity most exhibits geared towards kiddies lack. The tiny childhood moments that stick with us are treated with all the respect they deserve. We giggle when Kevin’s brother Wayne gets him in a head lock and calls him “scrote“for the umpteenth time (try sneaking that by the Nick a T Nite censors today!) or when Kev squares off together with his mortal enemy Becky Slater, and we cry when Kevin’s periodically distant father struggles to relate solely to his teen-age kids. And sorry, but if you don’t hold your breath when Kevin puts that letterman jacket over Winnie’s shoulders, you’re dead inside. Music geeks will value the amazing sound-track as well.

Family Ties

Original Run: 1982-89 Creator: Gary David Goldberg Stars: Meredith Baxter-Birney, Michael Gross, Michael J. Fox, Justine Bateman and Tina Yothers Network: NBC We were given the Keatons by one of the best family sit-coms of our time; these were were our family. Liberal working parents Steven (Michael Gross) and Elyse (Meredith Baxter) raised their three children—smart and conservative older brother Alex (Michael J. Fox), flighty and fashionable middle child Mallory (Justine Bateman) and sarcastic younger sister Jennifer (Tina Yothers)—with love, compassion and limits. Fox, whose job was launched together with the collection, produced Alex’s Republicanism amusing however not cliched. The series is still remembered for its very special episode, “A my name is Alex,“ where Alex struggled to take the sudden death of his buddy. Today family comedies continue to try to capture the magic that was Family Ties

Taxi

Original Run: 1978 83 Creators: James L. Ed, Brooks, Stan Daniels, David Davis. Weinberger Stars: Carol Kane, Judd Hirsch, Danny DeVito, Marilu Henner, Tony Danza, Andy Kaufman, Christopher Lloyd, Jeff Conway Network: ABC/NBC Let’s just pause for a moment and remember that someone once confident a community to put Andy Kaufman on the air. I just wish it'd been live TV. Like M*A*S*H, Taxi usually tackled significant social issues like drug and gambling habit, but did it with a wonderfully odd cast of characters in the alien-like Latka Graves (Kaufman) to drugged-out hippie Reverend Jim (Christopher Lloyd) to misanthrope Louie De Palma (Danny DeVito).

Moonlighting

Original Run: 198589 Creator: Glenn Gordon Caron Stars: Cybill Shepherd, Bruce Willis, Allyce Beasley Network: ABC Because the Blue Moon Detective Agency stopped investigating crimes, David Addison (Bruce Willis) and Maddie Hayes (Cybill Shepherd) have become a cautionary tale in the will-they-or-won’t-they television trope. But during the hey day of Moonlighting, no Television couple did sexual pressure like Shepherd and Willis. They actually burned the house down when they ultimately decided to consummate their relationship. While the collection had lots of behind-the-scenes strife (beginning with with all the fact that Shepherd and burgeoning movie star Willis didn’t go along), it consistently entertained, pioneered the dramedy style that's so well-known nowadays, and frequently broke the fourth wall in revolutionary ways.

Newhart

Original Run: 1982 90 Creator: Barry Kemp Stars: Bob Newhart Jennifer Holmes, Julia Duffy, Tom Post-On, William Sanderson Network: CBS You may always rely on on the writers on Bob Newhart’s 2nd effective sitcom to be playful. In the pre-meta-pop culture era, they’d invite Russell Johnson (the professor on Gilligan’s Island) to appear as a Beaver Lodge member watching Gilligan’s Island. But it was the original characters who truly made the show. Larry and his two brothers that are silent, Daryl and Daryl. Handyman George Utley. Spoiled maid Stephanie. And the ultimate straight man, Bob Newhart. Too negative it was all just a dream.

DVD Boxed Sets TV Series

At the Movies

Original Run: 1982 2010 Creator: Gene Siskel Stars: Roget Ebert, Gene Siskel Network: Syndicated Two diverse exhibits, equally titled In The Movies from production companies that were various, the mixture of Roger Ebert and Gene Siskel entirely revolutionized the concept of film criticism. Greatly admired for his or her ability to succinctly summarize the newest films in addition to their honesty and integrity in sparring with each other when opinions differed, the pair were also criticized by many for degrading the integrity of film criticism by lowering it to arbitrary “thumbs up“or “thumbs down“gestures. Such was the legacy of Roger Ebert and Gene Siskel and the duality of the show. They were among the only film critics whose opinions an “average American“can frequently be be expected to regard and did significantly for legitimizing the idea of movie criticism outside of a class-room setting. Some may nonetheless criticize the concept of a two-outcome rating program, but it was the approachable eloquence of the hosts that made the format work.

The Jeffersons

Original Run: 197585 Creator: Norman Lear Stars: Isabel Sanford, Sherman Hemsley Roxie Roker Network: CBS Norman Lear produced a run of hit shows in the 1970s, you start with with All in the Family, Sanford and Son (and its British predecessor Steptoe and Son), The Jeffersons, Maude, 1 Day at a Time and Good Times. It might be argued that no one had a larger audience for interracial dialogue than Lear. The Jeffersons was his longest-running sequence, lasting well into the ’80s, and in it, he gave America an affluent African American family dealing with new surroundings. George Jefferson may not have been amodel for race relations (discussing Louise’s interracial few buddies as “zebras”), but as with Archie Bunker, bigotry in the present was revealed for what it was.

Pee-Wee’s Playhouse

Original Run: 1986-90 Creator: Paul Reubens Stars: Paul Reubens Lynne Marie Stewart, Phil Hartman Network: CBS There are two types of people within my life: Those who like Pee Wee Herman and enemies. Years ago, I was gifted the total selection of Pee-Wee’s Playhouse DVDs. Within the years, I’d created a point to view Pee-Wee’s Big Adventure and Big Top Pee-Wee whenever the mood was right. Just as much as I loved this show as a a youngster, I only expected to get a great kick from an episode here and there, but I found myself inhaling these DVDs. Pee-Wee’s Play-House is joyous morning viewing (over a bowl of Mr. T cereal, of course) or a great way to unwind at evening (I’d suggest taking a drink from a good beer whenever somebody says the “secret word“ only if your day was exceptionally difficult). For a display that had a cast of genies, cowboys, puppet couches, pterodactyls, clocks and breakfast plates, I believe Play-House nevertheless makes sense in 2014. It’s a fully realized vision of Pee-Wee’s whimsical, wacky world—puppet strings and all—and the sequence is just pithy enough to pull in adults that are ready to go on the ride, too. Paul Reubens is a comedy icon and learn of timing, and it’s rare that a well-put Peewee gurgle or squeal doesn’t get a chuckle out of me. If you can’t locate any joy in every one of that, we’ve got to reconsider our friendship.

Sesame Street

Original Run: 1969- Creator: Joan Ganz Cooney Stars: Frank Oz (Bert, Grover), Jim Henson (Ernie, Kermit, Guy Smiley), Caroll Spinney (Huge Fowl, Oscar the Grouch), Jerry Nelson (Depend von Count, numerous), Kevin Clash (Elmo), Bob McGrath, Loretta Long, Roscoe Orman, Will Lee, Sonia Manzano, Emilio Delgado, Northern Calloway Network: PBS The ritual for millions of children in the 1980s was to wake up, start the TV and hear “Sunny Day/Sweepin’the clouds away…“before preparing for college. Big Chicken could see Snuffleupagus, actually although this was straight back before anybody. The residents of Sesame Avenue never skimped in the name of entertainment on entertainment in the title of education or education. With characters like Oscar the Grouch, Burt, Ernie, Count Von Depend and—my favorites—the Yip Yips, we never minded that we were really studying some thing along the way.

All Time Best Tv Series

'The Tonight Show With Johnny Carson' 1962-92

Heeeeeeere's Johnny! There is a cause Carson stays the template for each late-night host, after ruling The Tonight Show for three decades. Like a Television answer to Frank Sinatra, he epitomized Rat Pack cool, and his monologues were a sound-track to generations of Americans boozing every night themselves to slumber. Nearly 25 years after he signed off (and more than 1 years after he died), Carson's the ghost king who nevertheless haunts night time. Letterman and Jay Leno began battling for his throne and somehow never quit when he abdicated in 1992. (In his last display, Letterman cracked, "It seems like I'm not going to get The Tonight Show.")

'Cheers' 1982 93

You need a spot where everyone knows your title – even if it's just a dive-bar in Boston full of regulars with no place else to go. Cheers started with an emphasis on the mis-matched passionate banter between Ted Danson's washedup Red Sox pitcher Sam and Shelley Long's uptight book-worm Diane. ("Over my dead human anatomy!" "Hey, don't b-ring last evening in to this.") But it regularly renewed itself by getting new blood like Kelsey Grammar, Kirstie Alley and Woody Harrelson. Cheers was to the purpose, like that bar where you could tune in just to see which regulars would hang with you tonight.

'Saturday Night Live' 1975-Present

Live from New York, it is Saturday evening – more than 40 years subsequent to the Perhaps Not Ready for Prime-Time Players first re invented comedy as rock & roll. As Lorne Michaels likes to say, "We don't go on because we are ready. We go on because it really is 11:3-0." SNL keeps that electrical-edge energy running, even if that means flopping for even entire seasons or episodes in an occasion. Everybody believed the traditional 1970 s forged – John Belushi, Gilda Radner, Bill Murray, Dan Aykroyd – was too wild and crazy to replace. But noooo: SNL gave Eddie Murphy in the 1980s, Mike Myers and Chris Rock in to the planet 2000s. and Aidy Bryant to day, Kate McKinnon the in the Ferrell and Tina Fey 1990s, Will People keep deciding this time after-time it surges back, this really is Saturday Night Lifeless, however time. No other display has unleashed so many superbly performers on the planet.

'Deadwood' 200406

Al Swearengen's moral philosophy: "you-can't slice the the throat of every cock-sucker whose character it would improve." Spoken like a Founding Father that is correct. He is the villain of David Milch's epic set in the mud and slime of an 1870s South Dakota gold-mining c AMP. In the guts of it all (i.e., the saloon), Ian McShane's Al glowers, pours drinks, counts cash and slices jugulars, in a frontier hell-hole total of prospectors, whores, drunks and dropped freaks looking for one last fatal battle to get in to (and often finding it at Al's place). It was like McCabe & Mrs. Miller with more depressing sex scenes. The first two seasons are solid gold, the third, flimsier, but Deadwood is about how communities get built – and all of the filthy work that involves.

'Lost' 2004-10

A cosmic secret trip therefore complicated no one has ever really figured it all out – a band of castaways trapped on an island following the crash of Oceanic Flight 815, having a smoke monster and the enigmatic team called the Others, multiple time lines, the Seventies back story of the Dharma Initiative, each episode full of clues to be argued over for years to come. Lost proved there was a broad audience out there who desired their TV to be more unpredictable and challenging, not less – and Television would never be the same.
Third Watch TV Show

'Sesame Street' 1969-Present

No kiddie show has ever been as fiercely beloved as this city utopian fantasy, emerge a brownstone community populated with a multi racial forged of smiling grownups, a gigantic yellow bird, a grouch in a garbagecan, and math-loving vampires, plus many chatting letters and figures. It h-AS fantastic tracks, but most important, Sesame h-AS soul, which can be why the air h-AS stayed sweet for 40 years – or as the Depend would say, 4-5! 46! 47 years!

'30 Rock' 200613

Alec Baldwin stated it best: "You are really the Picasso of loneliness." He's a level. The Liz Lemon of Tina Fey is one gal who spends working on on her behalf evening cheese enjoying Monopoly alone or viewing the Life Time film My Stepson Is My Cyber-Partner. But Fey created her a heroine, turning her SNL writers -room encounter at The Girlie Show into the backstage antics, using a crazy- deep bench that included Jane Krakowski, Tracy Morgan and Jack McBrayer. And Baldwin chewed up the role of his existence, turning what could have been a generic sitcom chef into the only guy deserving to stand-by Lemon.

'Monty Python's Flying Circus' 196974

And now for some thing totally different. The best comedy cock-tail – five British intellectuals along with a token American clod, Terry Gilliam, working amok on the BBC. Monty Python were the Beatles of comedy, each one an indispensable element from John Cleese's spluttering rage to Eric Idle -stick word play, in the chemistry. The Pythons were godfathers to any or all ambitious jokers who adopted – Lorne Michaels and Chevy Chase satisfied inline for an Ultimate Goal screening. But these 45 episodes stay the comedic exact carbon copy of of Mount Everest: forbidding, aloof the mountain with all the biggest tits in the world.

'The Office (U.K.)' 200103

Ricky Gervais created one of TV's most agonizing comic tyrants in David Brent – a bitter, awkward, pompous ball of vanities terrorizing his employees a T a London paper company. He fidgets, fondles his tie, cracks terrible jokes, plays guitar ("Freelove Free Way"!), invisible to anyone except the longsuffering office drones who need to put up with him. This mockumentary raised the cringe level of sitcoms everywhere, spawning the surprisingly fantastic U.S. edition (also on this list) while paving the way for the glories of Parks & Re-Creation and Peep-Show.

Netflix Top Tv Shows

Best TV Shows on Netflix Now Scattered one of the better shows on Netflix are more and more of the streaming platform’s own original series. Watching TV on Netflix has gotten better and better as the service proceeds to add to its impressive catalog of network and cable collection, not to mention the proliferation of flashy Netflix originals. In reality, the organization that invested its formative years in an effort to to see movies has since become to the world’s main enabler of binge-watching. Our listing of the best shows on Netflix will be here to assist you discover the next TV series to devour, and we’ve appeared through the massive catalog (USA only, sorry) to discover these recommendations.

The Twilight Zone

Creator: Rod Serling Stars: Rod Serling Network: CBS It is, in the estimation of any sane person, one of the one of the best science-fiction series of all time with no doubt, using its myriad episodes about technologies, aliens, space travel, etc. But The Twilight Zone also plumbed the depths of the human psyche, madness and damnation with great regularity, in the same spirit as creator Rod Serling’s later series, Evening Gallery. Ultimately, The Twilight Zone is indispensable to both sci-fi and horror. Its moralistic playlets so often have the tone of dark, Grimm Brothers fables for the rocket age of the ‘50s and ‘60s, city legends that have left an indelible mark on the macabre side of our pop culture consciousness. What else can one call an episode for example “Living Doll,”wherein a confounded, ass hole Telly Savalas is threatened, stalked and ultimately killed by his abused daughter’s vindictive doll, Talky Tina? Or “The Invaders,”about a lonely girl in a farmhouse who's menaced by invaders from outer space in a episode almost entirely without dialog? Taken on its own, a bit of television including “The Invaders”almost shares more in-common with “old dark house”horror movies or the slashers that might arrive two decades later than an entry in a scifi anthology.

Judge Amy TV Series

30 Rock

Creator: Tina Fey Stars: Judah Friedlander, Tina Fey, Alec Baldwin, Tracy Morgan, Jane Krakowski Scott Adsit Network: NBC The spiritual successor to Arrested Improvement, where its competitors failed by instead focusing on the life span of one personal responsible of the process and mainly ignoring the real method of making a television show 3 Rock succeeded, played by display creator Tina Fey. 30 Rock never loses track of its focus and creates a remarkably deep character for the its circus to spin around. But Fey’s perhaps not the only one that makes the series. Consistently spot-on performances by Tracy Morgan—whether frequenting strip clubs or a werewolf bar mitzvah—and Alec Baldwin’s evil ideas for microwave-television programming create a perfect le Vel of chaos for the show’s writers to unravel every week. 30 Rock doesn’t have intricate themes or a deep concept, but that stuff would get in the manner of its own goal: having perhaps one of the most of the most regularly funny shows on Television. Suffice to say, it succeeded.

Lost

Creators: J.J. Abrams, Jeffrey Lieber, Damon Lindelof Stars: Matthew Fox, Evangeline Lilly, Naveen Andrews, Michael Emerson, Terry O’Quinn, Josh Holloway, Jorge Garcia, Yunjin Kim, Daniel Dae Kim Network: ABC When J.J. Abrams first marooned his aircraft-crash survivors on a remote island, no one recognized the show’s name was a double entendre: It took group-sourced blogs to make sense of all hidden clues, relevant connections, time shifts and intertwined storylines, and each season h AS given u-s far more questions than answers. But there’s some thing refreshing in regards to a Network-tv present that trusts the mental rigor of its audience as an alternative to dumbing everything down to the lowest common denominator. Sometimes it’s great to be a little lost.

Master of None

Creators: Alan Yang, Aziz Ansari Stars: Aziz Ansari, Noél Wells, Eric Wareheim, Lena Waithe, Kelvin Yu Bobby Cannavale Premiered: 2015 The long-awaited second time of Aziz Ansari’s masterful Grasp of N One commences with an homage to Bi Cycle Thieves and ends with a nod to The Graduate. In between are superbly nuanced episodes as Ansari’s Dev Shah tries to navigate his love life and his career. Even when the show goes the traditional sitcom route—the will-they-or-won’t-they romance of Dev as well as the engaged Francesca (Alessandra Mastronardi)—the dialogue and interactions are decidedly not conventional. They talk like real people perhaps not ones produced in a writer’s room. “New York, I Love You,”which stepped from the principal figures to showcase the vibrant diversity of the town and “Thanksgiving,”which chronicled Dev’s childhood buddy Denise (Lena Waithe) developing to her family, are easily the time highlights. The display is fun to watch, emotionally-satisfying and thought provoking. Unlike any such thing else on tele-vision, Learn of None is perhaps not only perhaps one of the most of the most important in a long, lengthy time, although one of the better exhibits of Netflix.

Mad Men

Creator: Matthew Weiner Stars: John Slattery, Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones, Christina Hendricks, Bryan Batt, Michael Gladis Rich Sommer, Robert Morse Network: AMC Look, you don’t need us to inform you that Mad Men is is among the the one of the biggest TV dramas of most time; you've the complete Internet for that, and frankly, that’s time you could be spending observing more Mad Guys. But with his tale of 1960s (and eventually, early ‘70s) admen and women and the American Dream, Matthew Weiner has done some thing really extraordinary: proven that there’s drama in everyday life. Unlike pretty much every other TV drama, this one doesn’t deal with cops, physicians or attorneys; there are not any mafia dons or drug lords going down in a hail of bullets. It’s just a bunch of folks working together within an office, attempting to push forward and navigate one of the most compelling decades in American history. Sure, it’s glamorous and brilliantly created, as well as the fact that Elisabeth Moss never won an Emmy for it is criminal, but ultimately, it’s oddly relatable, and that’s what fantastic Television is supposed to do—show u-s ourselves.

American Crime Story: The People v. O.J. Simpson

Creators: Larry Karaszewski, Scott Alexander Stars: Sterling K. Brown, Cuba Gooding Jr., Bruce Greenwood, Nathan Lane, Sarah Paulson, David Schwimmer, John Travolta, Courtney B. Vance Network: FX In a year defined by way of a certain queasy nostalgia for the 1990s, from Fuller Residence to the presidential election, FX’s dramatization of the decade’s sign spectacle came closest to capturing equally zeitgeists at once: the one that made “the demo of the century”and the one that revived our obsession with it. Anchored by Courtney B. Vance and Sarah Paulson as Johnnie Cochran and Marcia Clark, American Crime Story transforms the salaciousness of a tabloid-ready saga into a potent, surprisingly restrained therapy of “identity politics”inaction, where the seeds of our own fault lines—of race, of gender, of class—were sown in the aftermath of Reagan, the Cold War, as well as the L.A. riots. Most remarkable of all, perhaps, the collection manages to wring suspense from a twenty-year-old situation that currently unfurled on live tv, becoming that now-unusual artifact of an earlier moment that is cultural: appointment viewing.

It’s Always Sunny in Philadelphia

Creator: Rob McElhenney Stars: Glenn Howerton, Charlie Day, Rob McElhenney, Kaitlin Olson, Danny DeVito Network: FX The concept behind Sunny is simple-yet brilliant—bring together the most narcissistic and cruel figures possible and let them wreak havoc on the planet. Dennis, Dee, Mac, Charlie, and Frank all run Patty’s Pub together, although that endeavor never appears to keep them occupied for long. The group hatches one scheme after another, to entertain themselves. “The D.E.N.N.I.S. System,” for example, is Dennis’ fool proof method for manipulating women’s feelings s O that they’ll fall in love with him. To offer you an idea of how it works, the strategic acronym begins with “Demonstrate value”and ends with “Separate entirely.”

Breaking Bad

Creator: Vince Gilligan Stars: Giancarlo Esposito, Bryan Cranston, Anna Gunn RJ Mitte Network: AMC One of the things that made Breaking Bad one of the all-time greats was the writers did a phenomenal job introducing suggestions, plot lines and intricate themes, and after that weaving them all together for an extremely fulfilling summary. It’s not an easy point to do, especially when the display asks the audience to hold on until the end to see where it’s all going. Because way it’s similar to The Wire, a show that didn’t hammer its audience within the the pinnacle constantly with flashy moments, but requested for patience as all the plot threads gradually untangled. And with Breaking Bad’s narrower emphasis, the stakes and emotional ties we have using the story and characters could be much greater.

Arrested Development

Creator: Mitch Hurwitz Stars: Ron Howard, Jason Bateman, Will Arnett, Portia d e Rossi, Tony Hale, David Cross, Michael Cera, Jeffrey Tambor, Jessica Walter, Alia Shawkat Networks: Fox, Netflix Mitch Hurwitz’ sitcom about a “wealthy family who lost every thing and the one son who had no choice but to keep them all together”packed an entire lot of amazing into three brief seasons. Just how much awesome? Well, there was the chicken dance, for starters. And Franklin’s “It’s Perhaps Not Simple Being White.”There was Ron Howard’s spot-on narration, and Tobias Funke’s Blue Man ambitions. There was Mrs. Featherbottom and Charlize Theron as Rita, Michael Bluth’s mentally challenged love interest. Not with every loose thread tying so perfectly into the following act h-AS a story line that is comic been therefore completely built, since Seinfeld. Arrested Development took self-referencing postmodernism to an absurdist extreme, leaping shark after shark, but that was the point. They even induced the original shark-jumper—Henry Winkler—as the family lawyer. And when he was changed, naturally, it was by Scott Baio. Each of the Bluth family members was one of the better figures on television, and Jason Bateman performed a straight-man that is brilliant to them all. And after years of rumors, the show returned to Netflix for a fourth season—different in both construction and tone, but nevertheless, a gift to enthusiasts who'd to say goodbye to the Bluths alltoo soon.

Great Shows To Watch in 2017

The Greatest Shows To Binge-Watch We recently requested members of BuzzFeed Neighborhood to fill us in on their favorite shows to binge-watch. Warning: after studying these, you might feel the need to clear your weekend routine and catch-up on some fantastic Television.
Drew Carry Show

The Office

NBC Number of seasons: Nine What it is about: The mockumentary is an adaption of the BBC series of the same title and depicts the everyday lives of workplace employees. It stars Steve Carell, John Krasinski and B.J. Novak among others.

Friends

NBC Number of seasons: Ten What it's about: Just in case you have been living under a rock, the sitcom is of a circle of friends living in Manhattan as well as the trials, triumphs and ultimate journey in their lives through their mid- twenties and thirties.

Doctor Who

BBC Number of seasons: 26(1963 - 1989), Eight (2005 - current) What it really is about: A British science-fiction show, Doctor Who depicts the adventure of "the Physician" a time-travelling humanoid alien, who explores the universe in his TARDIS. The show relaunched again in 2005, a British cult favourite.

House of Cards

Netflix Number of seasons: counting and Three. What it really is about: Houseofcards revolves around Democrat Frank Underwood who initiates an elaborate strategy to get himself into a situation of better power in Washington D.C. The collection deals with themes of ruthlessness, manipulation and energy.

Hannibal

NBC Number of seasons: counting and Two. (Time three initial, June 4). What it is about: A psychological thriller, the series is centered on the the smoothness appearing in the Red Drag On. It focuses on the relationship of FBI special investigator Will Graham and Dr. Hannibal Lecter a psychiatrist destined to become Will's enemy.

Law and Order: Special Victims Unit

NBC Number of seasons: counting and 16. What it is about: An American police crime and legal drama emerge New York Metropolis, Law-and-Order: SVU follows the New York officers investigating sexually-based offences.

Gilmore Girls

CW Number of seasons: Seven What it's about: The display follows her teen daughter Rory and single mother Lorelai Gilmore, as they live their lives in the fictional city of Stars Hollow. Their story is covered by the show from the connection she's with her parents, Lorelai as a pregnant teen run away and her near bond with Rory, who retains a powerful ambition to create it to a Ivyleague college.

Cheers

NBC Number of seasons: 11 What it's about: An oldie however a goodie, the present is placed in a-bar named "Cheers", where a group of locals fulfill to socialise.

Supernatural

CW Number of seasons: 10 and counting. What it's about: Two brothers come together to hunt demons, ghosts, monsters, and other supernatural be-ings in the world.

Skins (UK)

E4 Number of seasons: Seven What it really is about: A teenager drama with storylines that are juicy and questionable, Skins follows diverse generations of teens dealing with dying, associations, drugs, intercourse, mental-illness, dysfunctional families and friendships and finishing college.